Behind the Prize: Rene Philip Kamrada on Interpreting Mozart’s Piano Concerto No.14
- WOMCO
- Jun 5
- 3 min read
Rene Philip Kamrada was the Absolute First Prize Winner in the Age 14–17 category, as well as the recipient of the Best Mozart Performance Special Prize at the Mozart International Music Competition UK, 2025 Season 1.
Could you tell us a bit about yourself, your music training journey, and your goals for the future in music?
My name is Rene Philip Kamrada, I am 15 yo high school student and I am currently studying piano at the Conservatory of Luxembourg under the guidance of Ms. Kae Shiraki. I began playing piano at the age of 6 and what began as a hobby quickly became a passion. Over the years, I’ve had the privilege of working with inspiring teachers such as Kae Shiraki and Natalia Kovalzon, who have helped shape my musical voice and deepen my understanding of the repertoire. I’ve had the opportunity to successfully participate in concerts and competitions in Luxembourg, each of which has formed my musical growth and deepened my love for classical music.
Looking ahead, while I dream to become a commercial airline pilot, I hope to continue performing as a soloist and chamber musician as a hobby.
Could you walk us through your approach to preparing and interpreting Mozart’s Piano Concerto No.14 for your award-winning video performance? What were some of the artistic or technical considerations that shaped the final result?
Mozart’s Piano Concerto No. 14 is a brilliant and elegant work that requires a balance of clarity, lightness, and emotional depth. My approach began with an in-depth study of the score, paying special attention to Mozart’s phrasing, articulation, and harmonic structure. I wanted the performance to feel natural and conversational—true to the spirit of Mozart’s writing.
Technically, I focused on maintaining transparency in texture and precision in rhythm, particularly in the dialogue between piano and orchestra. Artistically, I aimed to highlight the wit and charm of the first movement. The cadenza was also an important moment to personalize the performance and explore Mozart’s improvisatory spirit.
What was the process like working with the orchestra and conductor for this performance? Were there any moments during rehearsals that stood out to you?
Working with the Orchestre de Chambre de Luxembourg and conductor Miguel Campos Neto was a truly collaborative and enriching experience. The conductor was incredibly supportive and open to ideas, which allowed us to shape the interpretation together rather than just following a fixed plan. The conductor brought valuable insight and flexibility to our rehearsals, and the orchestra was incredibly responsive and supportive throughout.
Would you like to share your experience participating in our competition and anyone you'd like to thank?
Participating in your competition was a truly special experience. It provided both motivation and inspiration to refine my performance and present my interpretation in the best possible light. I’m extremely honored and grateful to have been recognized with an award.It was such a meaningful and rewarding experience. I’m incredibly grateful to the judges and organizers for recognizing my performance.
I’d especially like to thank my teacher Ms. Kae Shiraki, whose guidance was invaluable throughout the preparation. I’m also deeply thankful to my mother for her endless support and encouragement that has been invaluable throughout my musical journey and to the orchestra and conductor for bringing the music to life with me.
I’m also thankful to the organizers and jury for creating such a meaningful platform for young musicians.
